7.2 Clarity and Concision
Clear and concise writing is best achieved by separating drafting from revision. Strong writers often produce messy, repetitive, or overly wordy first drafts, and that’s a normal and productive part of the process. Writing ideas multiple ways can help refine your thinking and strengthen your argument. A rough first draft isn’t a failure; it’s a necessary step toward clear and effective writing.
As that thinking becomes clearer, your thesis and organization solidify, and many sentence-level issues begin to resolve on their own. It’s easier to write effective sentences when their purpose is defined. While you’ll still need to edit for clarity, concision, and mechanics, strong underlying thinking makes revision more manageable. A helpful way to think about editing is as the final adjustment that brings your writing into focus.
“Writing guides, especially those targeted at college students, offer excellent advice on sentence construction and word choice. However, many student writers get hung up on sentence-level expression, thinking that only elegant, erudite sentences will earn top grades. Or worse, some students assume that they’ll never produce strong papers if they do not already have some kind of inborn gift for wordsmithing. While it is true that some people can produce extraordinarily elegant and graceful prose, it is also true that anyone can learn to write effectively in ways that will persuade and satisfy readers. Producing and reading elegant writing is a pleasure, but what matters in academic writing is precision.”
Amy Guptill, Writing in College
Concision is the opposite of wordiness. Concise writing is tight and bright; it is clear and content rich. In other words, it contains no additional fluff or unnecessary words and every word and sentence should be doing some significant work for the paper as a whole.
In the worst cases, wordiness leads to whole paragraphs of fluff and repetition. Sometimes this happens when students are asked to meet a page-length requirement for an assignment. “How can I possibly write five to six pages about this topic?” you may wonder. That’s a great question and one you could work on with your instructor—but the answer should ultimately boil down to better content, not fluff paragraphs. A few quick ideas to do that would be to add a counterargument, bring in another source, give an example, ask a more complex question, etc.
Fluff happens for a lot of reasons. Of course, reaching a word or page count is the most common motivation. Here are a few ways and reasons fluff can happen in writing:
| Type of Fluff | Fluff Origin Story |
|---|---|
| Thesaurus syndrome | A writer uses inappropriately complex language (often because of the right-click “Synonyms” function) to achieve a different tone. The more complex language might be used inaccurately or sound inauthentic because the author isn’t as familiar with it. |
| Roundabout phrasing | Rather than making a direct statement (“That man is a fool.”), the author uses couching language or beats around the bush (“If one takes into account each event, each decision, it would not be unwise for one to suggest that that man’s behaviors are what some would call foolish.”) |
| Abstraction or generalities | If the author hasn’t quite figured out what they want to say or has too broad of scope, they might discuss an issue very generally without committing to specific, engaging details. |
| Digression | An author might get off topic, accidentally or deliberately, creating extraneous, irrelevant, or unconnected language. This happens a lot in the Introduction or Conclusion as writers are still learning about the subject. This could mean the subject is still too broad. |
| Ornamentation or flowery language | Similarly to thesaurus syndrome, often referred to as “purple prose,” an author might choose words that sound pretty or smart but aren’t necessarily the right words for their ideas. |
| Wordy sentences | Even if the sentences an author creates are grammatically correct, they might be wordier than necessary. Fluffy language is deployed to sound “smarter,” “fancier,” or “more academic”—which is an understandable pitfall for developing writers. |
Of course, there’s a fine line between detail and fluff. Avoiding fluff doesn’t mean always using the fewest words possible. Instead, you should occasionally ask yourself in the revision and editing process, How is this part contributing to the whole? Is this somehow building toward a bigger purpose? If the answer is no, then you need to edit.
Conciseness is an ongoing exercise for all writers. Here are a few tips to make your writing more concise:
- Remove unnecessary repetition. For example, a “slow, unhurried, leisurely stroll” could be rewritten as simply “a leisurely stroll.”
- Remove empty modifiers. Adjectives and adverbs that don’t significantly contribute to the meaning of the sentence and are used only to intensify the word they are modifying. The most common ones are very, really, pretty, totally, and just.
- Use an active voice when it makes sense to do so.
- Combine sentences to avoid repetition. For example, this version is wordy: “I went to the store. The store was Winco. They were closed.” A more concise version would be “I went to Winco, but they were closed.” Notice that concise writing does not always mean short, simple sentences.
- Avoid “academese” in your writing. It is an effort to write in an ornamented and “scholarly” way.
- Avoid “I think” and “it may seem” statements. This weakens your argument when you are trying to sound academic and/ or authoritative. Instead, use strong language.
“Vigorous writing is concise. A sentence should contain no unnecessary words, and a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tells” (46).
Strunk and White, The Elements of Style
Michael Harvey notes that fluffy, wordy prose does not necessarily result from an underdeveloped writing process. Sometimes it reflects the context of academic writing: “[M]any of us are afraid of writing concisely because doing so can make us feel exposed. Concision leaves us fewer words to hide behind. Our insights and ideas might appear puny stripped of those inessential words, phrases, and sentences in which we rough them out. We might even wonder, were we to cut out the fat, would anything be left? It’s no wonder, then, that many students make little attempt to be concise—and may, in fact, go out of their way not to be…”
Attribution
Writing in College by Amy Guptill is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted.
A Dam Good Argument Copyright © 2022 by Liz Delf, Rob Drummond, and Kristy Kelly is licensed under a Creative Commons Attribution 4.0 International License, except where otherwise noted.
This chapter has additions, edits, and organization by James Charles Devlin.