7.4 “Correctness” in Writing

Many students assume—or fear—that college writing is judged primarily on its grammatical correctness. Ideas, evidence, and arguments matter more than the mechanics of grammar and punctuation; however, many of the rules of formal writing exist to promote clarity and precision which writers must achieve to effectively convey ideas, evidence, and arguments. In addition, texts that observe the rules of formal written English tend to be more persuasive by making the author appear well-informed and careful. Writing replete with errors does not make a great impression, and most educators want to help students present themselves well. Correctness, then, isn’t the most important thing, but it does matter.

For all the vitriol brought out by matters of correct usage, they are the smallest part of good writing. They pale in importance behind coherence, classic style, and overcoming the curse of knowledge, to say nothing of standards of intellectual conscientiousness. If you really want to improve the quality of your writing, or if you want to thunder about sins in the writing of others, the principles you should worry about the most are not the ones that govern fused participles and possessive antecedents but the ones that govern critical thinking and factual diligence”

Steven Picker

Another common assumption among students is that one is either good at grammar or not good at grammar, and that such is one’s immutable fate. Not true. Once you master a particular rule or practice, it becomes second nature, and then you can focus your attention on mastering another. Even English instructors and professional writers look things up in a writing handbook from time to time.

In thinking about correctness, it’s important to recognize that some rules are more important than others. Joseph Williams helpfully distinguishes three kinds of rules. First, some rules are basic to English, such as “the car” not “car the.” For example,

If you’ve gotten most of your formal education in English, you probably observe these rules routinely. If your writing has mismatches of numbers (singular/plural) or tense, it might be due to haste or carelessness rather than unawareness. Similarly, capitalizing the first word of a sentence and ending with appropriate punctuation are basic rules that most people comply with automatically when writing for a professor or in other formal situations.

Williams’ second category is comprised of rules that distinguish standard written English from the informal variants that people use in their day-to-day lives. The informal versions are English, and they’re widely understandable to others, but still incorrect grammatically. The mismatched choices of tense, number, and punctuation are inappropriate in standard written English even though they don’t impede communication. Most students already understand that these first two categories of rules (rules fundamental to English and the rules of standard written English) are obligatory for formal writing.

There is a third category of rules that Williams notes and enthusiastically criticizes; he calls them “invented rules” because they usually arise from busybody grammarians rather than enduring patterns of customary language use. Some invented rules Williams calls “options”: those that your reader will notice when you observe them and not care if you don’t. Here’s an example of the fabled don’t-end-a-sentence-with-a-preposition rule:

OBSERVING THE RULE: With which concept can we analyze this problem?
IGNORING THE RULE: Which concept can we analyze this problem with?

Some grammarians would claim that only the first version is correct. However, you probably have the (accurate) impression that professional writers are much more likely to choose the second version. This rule does not reflect real-life customary practice, even in standard written English. That’s why Williams calls it an “invented rule.” Most of your professors are fine with the second version above, the one that ends a sentence with a preposition.

Similarly, there’s this murky idea out there that one should not split infinitives; that is, one should not have any words between “to” and the verb that follows. Here’s an example:

OBSERVED: to go boldly where no one has gone before
IGNORED: to boldly go where no one has gone before

Again, while some grammarians have argued that conscientious writers should avoid splitting infinitives, most professional writers have ignored that claim. The second version, which puts the adverb (“boldly”) within the infinitive (that is, between “to” and “go”) makes for a clear and pleasing phrase. The invented rule about splitting infinitives is an attempt to solve a problem that doesn’t exist. If you want to give your writing more of a scholarly air, you could observe some or all of these optional rules. But, unless your professor has a particular penchant for one of these invented rules, you can safely ignore them.

Williams calls the second sub-category of invented rules “folklore.” They’re invented rules (like “options”) in that grammarians think writers should observe them, but, in reality, no one does. Williams gleefully lists instances in which the very grammarians who propose these rules go on to unselfconsciously violate them. You may have heard of these rules, but they’re widely considered absurd.

For example, some grammarians are dismayed that people use “that” and “which” interchangeably, and they argue that writers should use “that” to indicate restrictive elements and “which” to indicate non-restrictive elements. A restrictive element makes a necessary specification about something; a non-restrictive element is one that simply adds extra information.

As Williams and some others explain: it’s bullshit. Professional writers use commas and carefully chosen words to do the job of distinguishing restrictive and non-restrictive elements, and they choose whichever relative pronoun (“that” or “which”) sounds better in context. You could observe the distinction between that and which if you like, but no one would notice. More importantly, observing this invented rule wouldn’t necessarily make your writing any clearer, more concise, or more graceful. There is one rule that Williams calls “folklore” that most professors probably observe nonetheless: that is, the rule that you can’t start sentences with But, And, So, For, or Yet (or other coordinating conjunctions). I’m sure you could browse through assigned readings and articles published in major newspapers and magazines that violate this so-called rule.

The dilemma of gendered language in English

What to do about gender with an unspecified subject? Informally, using “they/their” as the neutral singular is becoming a common practice. For example, if a Facebook friend hasn’t specified a gender, Facebook used to exhort you to “write on their timeline” for “their birthday.” I hear this more and more in spoken language as well. For example, most people who hear this sentence spoken wouldn’t note a glaring problem: “A doctor who makes a mistake is often too scared to admit their slip-up.” However, in an academic paper, that sentence would be considered a pronoun-antecedent error because “doctor” is singular and “their” is still considered plural. Most of your professors still don’t accept they/their as a gender-neutral singular possessive. Hopefully, in coming years, academic writing will come to accept this perfectly reasonable solution to the gendered language problem, but we’re not there yet.

Remember, it’s about precision and respect. Whatever you do, don’t just write “he” for doctors, attorneys, and construction workers and “she” for nurses, social workers, and flight attendants. You also shouldn’t just write “he” or “his” for everything, expecting your readers to mentally fill in the “or she” and “or her” themselves. Doing so seems lazy. Showing respect through precise language about gender makes you seem much more credible.

Countless other rules aren’t discussed here. The point of these examples is to show that you don’t have to observe every little rule you’ve ever heard of. There are some elements of mechanics that you have to master. These practices will gradually become second nature. It’s sometimes hard to know at the outset which rules are standard, which are options, and which are folklore. With the help of a good handbook and your instructors, you’ll learn them over time. The larger point here is that observing rules isn’t about traversing a minefield of potential errors. It’s just about learning and adopting the practices appropriate to your audience, which is one of the first rules of writing well.

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Writing in College by Amy Guptill is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted.

This chapter has additions, edits, and organization by James Charles Devlin.

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